In theatrical productions, the same play could be performed identically two nights in a row, one with an incredibly enthusiastic audience and a standing ovation, and the other with a few scattered claps. It depends on the energy of the audience for that particular evening, and that makes all the difference...to the performers, the future of the production based on reviews.
Whether it’s film, theater, music, or any other media of mass communication, the make-it-or-break-it factor isn’t the talent, it’s the audience. So the question is at what point should plots be compromised and lyrics toned down in order to target a larger market, versus one of a more selective nature.
Let’s take “Shutter Island” as an example. I thought it was another genius film by Scorsese. Really well done. But it got some pretty mixed reviews.
(From Rotten Tomatoes, professional critics)
“DiCaprio and Scorcese are a dynamic movie duo but when you add in the brilliant storytelling of Lehane you get movie magic.”
and then...
An overlong, nauseating thriller lacking palpable suspense and clever twists which can't be saved by its exquisite production values and solid performances.
But movie goers were just as conflicted: (From Moviefone.com)
CQBRA03
This movie is a complicated mess that has an ending that for me was very unrewarding and a letdown. Is it all really happening, or is it just in his head? The acting was excellent, but the coming attractions were a lot better than the movie. Just a little to weird for me.
JZekeRed
one star for decaprio...pretty darn good acting BUT, what a sucko storyline - not cohesive, twisted, interesting, frustrating...save your money .
Everyone’s entitled to their own opinion, but clearly these people just didn’t get it. But does that mean that the movie industry should cater to the less, shall we say, adept. There is a “type” of entertainment for everyone, so perhaps verbal members of the public need to admit if a certain genre isn’t their cup of tea, instead of just ragging on it.
I don’t think there is anything wrong with critics and reviewers saying, “this movie is fabulous if you have an inquisitive mind, don’t bother if you’re just looking for entertainment”. But they don’t differentiate because of the fear of alienating the audience. Rather, they take it out on the film makers.
Perhaps critics should just take a little step back from their self-proclaimed lime-light. Just because you hated or loved it doesn’t mean everyone else will. I know it’s your job to be critical and offer you opinions, but keep in mind is only opinions that you are offering.
Bottom line: offering different perspectives for different audiences would be much more effective than only taking your own views into account.